On October 24, 2011, I posted about Michael R. Collings’ poem “Legacy.” Here’s an excerpt from that post and my reading of the poem:; The excerpt: Michael’s longish poem, “Legacy,” breaches the subject of family in a way that neither sentimentalizes the good nor that glosses over the difficult. This is apparent in the first lines in which the poet… Read more »
TylerComments Off on Still Thirsting for Milk: Danielle Dubrasky’s “Legacy”
Anthology Poet Highlight 40/82: Danielle Beazer Dubrasky, “Legacy” [audio: http://fireinthepasture.org/wp-content/uploads/2012/01/Dubrasky_Legacy.mp3] (My reading of “Legacy”) In Danielle’s sonnet, the poet explores an intergenerational relationship—and the rippling effects thereof—among three women and one man: the poet, the poet’s grandmother, the grandmother’s brother, and the poet’s great-grandmother. This complex relationship is narrated from the poet’s point of view as she observes her grandmother’s… Read more »
TylerComments Off on “Encounter”: Linda Sillitoe’s Cabinet of Wonders
Poet Highlight: Linda Sillitoe, “Encounter”“ [audio: http://fireinthepasture.org/wp-content/uploads/2012/01/Sillitoe_Encounter.mp3] (My reading of “Encounter”) Linda’s unrhymed sonnet, “Encounter,” takes as its lyric province the intergenerational relationship between people, places, and possessions (yes, the alliteration was on purpose). The poet, born of goodly parents (at least it seems so from the cache of memories stirred up in this sensory experience), begins by lyrically binding… Read more »
TylerComments Off on The Grace and Restraint of Michael Hicks’ “Family Tree”
Anthology Poet Highlight 35/82: Michael Hicks, “Family Tree“ [audio:http://fireinthepasture.org/wp-content/uploads/2011/12/Hicks_Family-Tree.mp3] (My reading of “Family Tree”) In “Family Tree,” Michael’s lines are achingly sparse, haiku-like, even. I find in them a seductive grace and restraint that at once fills me and leaves me wanting. Take, for example, his first section, “Adam” (quoted above). As I read it, the sibilance in the first… Read more »
TylerComments Off on Disturbing the Dust on Emma Lou Thayne’s Jar of Rose Hips
Poet Highlight: Emma Lou Thayne, “The Rose Jar“ Disturbing the dust on a bowl on rose leaves . . . –T.S. Eliot, “Burnt Norton“ In the opening section of T.S. Eliot’s Four Quartets, “Burnt Norton,” the poet muses on the interconnections and “unredeemab[ility]” of time (line 5): “What might have been,” he says, “is an abstraction / Remaining a perpetual… Read more »
TylerComments Off on “This Was When”: Matthew James Babcock’s “Moose Remembered”
Anthology Poet Highlight 33/82: Matthew James Babcock, “Moose Remembered” (scroll down) [audio: http://www.terrain.org/poetry/25/mp3/Babcock_MooseRemembered_Terrain.org.mp3] (Matthew’s reading of “Moose Remembered” [from Terrain.org]) This poem features a moose, but it’s about memory: the redemption of past experience. “This was when,” the poet begins, speaking to his wife, I presume, about a Saturday morning earlier in their marriage when he, as a young husband… Read more »
TylerComments Off on “The Points at which My Loves Fell from Me”: Philip White’s The Clearing
Anthology Poet Highlight 22/82: Philip White, The Clearing In this book dedicated to his late father, mother, and wife, Philip invites us to feel our way around in the soul-space excavated by love and life, loss and death. Framed, then, as elegiac meditations on the loss of persons beloved, the poet lingers on these moments of departure—what the speaker in… Read more »
TylerComments Off on Sally Stratford’s “Inheritance”: What Holds Us Together
Anthology Poet Highlight 17/82: Sally Stratford, “Inheritance“ The most striking thing to me about this poem are the images that suggest being clothed/covered/dressed in one’s legacy; or, in the poet’s words, that imply “wear[ing a] name” (line 1) that’s been passed between generations. There’s the “two carat diamond / which, like a heavy rock of salt, / falls to the… Read more »
TylerComments Off on Warren Hatch’s Mapping the Bones of the World: “An Economy of Grace”
Anthology Poet Highlight 13/82: Warren (Scott) Hatch, Mapping the Bones of the World Although it might seem contradictory to suggest that Mapping the Bones of the World, a collection of long narrative poems, is economical—as if the poet had composed from a frugal rhetorical budget, determined to compress experience into as tight a linguistic vessel as he could craft in… Read more »
TylerComments Off on On Karen Kelsay’s In Spite of Her
Anthology Poet Highlight 9/82: Karen Kelsay, In Spite of Her In her chapbook of narrative poems, In Spite of Her, Karen explores the relationship between a middle-aged woman and a world that changes and moves on “in spite of her” (“In Spite of Her,” line 11). These poems become acts of mourning mixed with moments of acceptance of and resignation… Read more »
