Here’s a link to the poem if you’d like to follow along as Scott reads. Read more about the Mormon Poetry Slam here and see the posting schedule here. Vote for your favorite performance here (the link will go live once all the entries have been posted). Use #MormonPoetrySlam if you post about this in your social media circles.
Here’s a link to Michael’s poem if you’d like to follow along as Dayna reads. Read more about the Mormon Poetry Slam here and see the posting schedule here. Vote for your favorite performance here (the link will go live once all the entries have been posted). Use #MormonPoetrySlam if you post about this in your social media circles.
Dayna Patterson’s cross-dressing Jesus has been on my mind lately. (Take that as you will.) One reason for this is because, since I wrote about Dayna’s “Our Lord Jesus in Drag” in July 2012, I’ve wanted to give it voice. And I’ve wanted to give it voice because the first time I read the poem it’s rhythms struck me as… Read more »
(Cross-posted here.) If you’d like to comment on the post, follow that link. Poet Highlight: James Goldberg, “In the Beginning”* James Goldberg’s poem “In the Beginning” exults in orality. It begins, “When he was young, / they read the books / out loud.” But the poet doesn’t revel simply by stating that his experience with language is grounded in the… Read more »
Poet Highlight: Dayna Patterson, “Our Lord Jesus in Drag” In my sonnet “On Crucifixion by J. Kirk Richards,” I use the practice of cross-dressing as an analogue for Christ condescending from godhood to put on mortality: “When God cross-dresses in death,” I say, “does / the universe blush?” In her poem, “Our Lord Jesus in Drag,” Dayna also offers a… Read more »
Poet Highlight: Robert A. Rees, “Blind Tears” In “Blind Tears” Robert A. Rees becomes a mother in Cambodia. Speaking from her “I,” he strives to put on this fictive woman’s skin, to walk in her shoes, to see the world through her eyes and thus to connect with her and her world in a very personal way. This effort requires… Read more »
Giving the Beauty of Holiness a Tongue: A Review Essay on Adam’s Dream: Poems for a Latter Day by Doug Talley (Part Two) (Read Part One here) III. Adam’s Dream is divided into four sections: “Land within Arm’s Reach,” “Temples Framed by Hand,” “Voices from Another Room,” and “Flowers of a Kiss.” Each section contains eighteen poems and is framed… Read more »
Anthology Poet Highlight 42/82: Claire Åkebrand, “October Plush” (scroll down) Like the violet at its center, the texture of Claire’s “October Plush” is lush, but only fleetingly so. The poet runs her words like fingers over the flower’s petals, pausing in her passing by to notice the beauty of the transient subject at her feet. For although the violet can’t… Read more »
Anthology Poet Highlight 38/82: Marilyn Nielson, “Sheep” [audio:http://fireinthepasture.org/wp-content/uploads/2012/03/tumblr_lx79b4k4DH1qldxkx.mp3](Marilyn’s reading of “Sheep”) To speak for those who otherwise can’t, to give the unvoiced a voice, the other languaged means by which to understand and be understood by others: these seem to be fundamental functions of the gospel of Christ, at the center of which rests the atonement. In this eternally-in-force act… Read more »
Anthology Poet Highlight 37/82: Gideon Burton, “Salt and Blood” [audio:http://fireinthepasture.org/wp-content/uploads/2012/03/tumblr_lwm8nxiPnq1qldxkx.mp3] (My reading of “Salt and Blood”) I like the taste of “Salt and Blood.” No, I don’t live in a coven or avoid sunlight and, although I do like potato chips, NaCl isn’t really my thing. Nonetheless, Gideon’s “Salt and Blood” makes my lyric tastebuds tingle. Hence the audio, in… Read more »