Tag Archives: language

To Speak the Language of Animals: Marilyn Nielson’s “Sheep”

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Anthology Poet Highlight 38/82: Marilyn Nielson, “Sheep” [audio:http://fireinthepasture.org/wp-content/uploads/2012/03/tumblr_lx79b4k4DH1qldxkx.mp3](Marilyn’s reading of “Sheep”) To speak for those who otherwise can’t, to give the unvoiced a voice, the other languaged means by which to understand and be understood by others: these seem to be fundamental functions of the gospel of Christ, at the center of which rests the atonement. In this eternally-in-force act… Read more »

The Grace and Restraint of Michael Hicks’ “Family Tree”

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Anthology Poet Highlight 35/82: Michael Hicks, “Family Tree“ [audio:http://fireinthepasture.org/wp-content/uploads/2011/12/Hicks_Family-Tree.mp3] (My reading of “Family Tree”) In “Family Tree,” Michael’s lines are achingly sparse, haiku-like, even. I find in them a seductive grace and restraint that at once fills me and leaves me wanting. Take, for example, his first section, “Adam” (quoted above). As I read it, the sibilance in the first… Read more »

Rhetorics of Grace in Sunni Wilkinson’s “Acrobats”

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Anthology Poet Highlight 34/82: Sunni Brown Wilkinson, “Acrobats” (scroll down) “Acrobats” explores rhetorics of grace. It contrasts the simple and scripted made-for-TV “piety”—an easily imitated and consumed brand commodified and encouraged by the (early morning? early afternoon?) televangelist—with the speaker’s own halting attempts to “awaken [her] faith” to something beyond play-acting, beyond miming the preacher “in front of the mirror.” The… Read more »

Disturbing the Dust on Emma Lou Thayne’s Jar of Rose Hips

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Poet Highlight: Emma Lou Thayne, “The Rose Jar“ Disturbing the dust on a bowl on rose leaves . . . –T.S. Eliot, “Burnt Norton“ In the opening section of T.S. Eliot’s Four Quartets, “Burnt Norton,” the poet muses on the interconnections and “unredeemab[ility]” of time (line 5): “What might have been,” he says, “is an abstraction / Remaining a perpetual… Read more »

“This Was When”: Matthew James Babcock’s “Moose Remembered”

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"Moose in the Neighbor's Yard"

Anthology Poet Highlight 33/82: Matthew James Babcock, “Moose Remembered” (scroll down) [audio: http://www.terrain.org/poetry/25/mp3/Babcock_MooseRemembered_Terrain.org.mp3] (Matthew’s reading of “Moose Remembered” [from Terrain.org]) This poem features a moose, but it’s about memory: the redemption of past experience. “This was when,” the poet begins, speaking to his wife, I presume, about a Saturday morning earlier in their marriage when he, as a young husband… Read more »

Airing the Cultural Laundry: Laura Baxter’s “Take Care of Your Soul—It’s Flapping in the Breeze”

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Anthology Poet Highlight 32/82: Laura Nielson Baxter, “Take Care of Your Soul—It’s Flapping in the Breeze“ “Take Care” is an exercise in absurdity. I mean, a neighbor airing his soul on a clothesline like recently washed laundry then leaving it to dry for a few decades? How absurd! But this premise hasn’t been pushed to absurdity just for absurdity’s sake. This… Read more »

On Serrano’s Piss Christ and the Work of Mormon Poetics

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Anthology Poet Highlight 31/82: Tyler Chadwick, “Submerged: Two Variations on Serrano’s Piss Christ“ (on page 72) The central method of gaining knowledge we have is our language. I do not think it is the function of the poets to give us little homilies in it, but to try to work the language to the limits of its resources, because when… Read more »

Jonathon Penny’s “Confession, after battle”: A Soldier’s Litany

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Anthology Poet Highlight 29/82: Jonathon Penny, “Confession, after battle“ At first glance, “Confession” seems a simplistic poem: the poet repeats the same structure for four, essentially five, stanzas, changing only a word per stanzaic turn. The structure is thus something of a template— I’m sorry that I killed your ______ I did not know he was your ______ I only… Read more »

“Lingua Doctrinae“: Arwen Taylor’s Linguistic Worship

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Anthology Poet Highlight 27/82: Arwen Taylor, “Lingua Doctrinae“ amicus, amici, amico, amicum, amico, Amice. The window, with its morning salty joke of squinting scowls, unfolds a dusty yellow ray of light on you, while I still close-eyed soak in shadows in the middle of the room. We resurrect the third declension, bring the plural genitive alive, resume linguistic worship, conjugate… Read more »

E.S. Jenkins’ “Weary”: Sorrow, Greatly Multiplied

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Anthology Poet Highlight 25/82: E.S. (Sarah) Jenkins, “Weary” I counted them as they came—sons and daughters who didn’t count. I counted their limbs, perfect limbs, like their father’s— nothing so imperfect. I found him perfect, my one week of us, my one weak husband. In her moving elegiac poem, “Weary,” Sarah highlights a less than pleasant aspect of the woman’s… Read more »